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Courses may be offered in one of the following modalities:

  • Traditional in-person courses (0–29 percent of coursework is delivered online, the majority being offered in person.)
  • Hybrid/blended courses (30–79 percent of coursework is delivered online.)
  • Online courses (100 percent of coursework is delivered online, either synchronously on a designated day and time or asynchronously as a deadline-driven course.)
  • Hyflex (Students will be assigned to attend in-person or live streamed sessions as a reduced-size cohort on a rotating basis; live sessions are also recorded, offering students the option to participate synchronously or view asynchronously as needed.)

If you are enrolled in courses delivered in traditional or hybrid modalities, you will be expected to attend face-to-face instruction as scheduled.


Advanced Fiction (ENG-412)


Semester: Fall 2020
Number: 0122-412-001
Instructor: Katherine Hill
Days: Monday 2:25 pm - 3:40 pm
Wednesday 2:25 pm - 3:40 pm
Note: Hybrid Online/In-Person Class
Location: Garden City - ONL VRTL OUT
Credits: 3
Notes:

For majors only
Course May Be Repeated With Different Instructor. Senior Majors Only.
The Class Will Meet Meet In Person Once A Week (wednesday) For 3
Weeks, Followed By Combined Sync/Async Online Learning.

Course Materials: View Text Books
Description:

This course is for advanced students with an interest in imaginative writing and reading. Students produce writing exercise, reading and critique of colleagues work and try different styles and ways of working with the goal of writing several substantial pieces of fiction. Attendance is required. Course may be repeated with different instructor. (Distribution Reqs:Arts)

Learning Goals:   Course Goals:We’ll learn how stories are put together, focusing on structure, language, and style. We will read and discuss published stories, as well as write and share exercises. You will also be reading the work of your classmates, and putting your own work up for workshop. Bring in enough copies of your work for everyone, including one for yourself on the day your story is due. You must be willing to put your writing up for close scrutiny, and able to give criticism generously and honestly. The best workshop is about approaching the work on its own terms. Egos should have nothing to do with it. Remember: the only way to learn how to improve is to talk about what is working and what is not. The best reader is both sympathetic to the project, and without mercy. Strive to be your own best reader.

*The learning goals displayed here are those for one section of this course as offered in a recent semester, and are provided for the purpose of information only. The exact learning goals for each course section in a specific semester will be stated on the syllabus distributed at the start of the semester, and may differ in wording and emphasis from those shown here.

Prerequisites:

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